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TRANSMISSION_ID: THE_SHEPHERD_MOON
STATUS: DECRYPTED

The Shepherd Moon

by Layla Khalidi|3 min read|
"On full moon nights, shepherd Yasir leads his flock through ancient paths—until documentary maker Nadia follows him and discovers light comes in many forms."

The Shepherd Moon

The sheep moved silver in moonlight, bells chiming softly as they followed paths worn by countless hooves. Nadia trailed behind, camera ready, watching the shepherd work.

"You're loud," Yasir said without turning.

"Sorry."

"The sheep don't mind. But the wolves might."

She stopped moving entirely.

"There are no wolves here. Not anymore." His laugh was warm. "But you should still be quiet."


She'd come to document traditional shepherding—the dying art, the loss of land, the usual tragedy pieces. Yasir wasn't interested in tragedy.

"I'm not dying," he said when she asked about the future. "Neither are my sheep. We adapt."

"But the land—"

"Is still here. Changed, yes. But so is everything." He watched his flock spread across the hillside. "The moon is the same. The paths are the same. My feet know this ground. That's enough."

"That's beautiful."

"It's survival. People always confuse the two."


She returned for night after night, fascinated by the moon-herding, by Yasir's calm, by the peace she'd never found anywhere else.

"Why nights?" she asked.

"Because the sheep are safer. The heat is less. And because—" He paused. "The moon makes everything honest. You can't lie under this light."

"Are you calling me dishonest?"

"I'm saying you film everything but feel nothing." His eyes met hers. "When was the last time you let yourself feel?"

"That's not fair."

"The moon doesn't care about fair."


The night she finally felt was the night she stopped filming.

"What are you doing?" Yasir asked as she set down her camera.

"Being honest."

"About what?"

"About the fact that I've been falling for you since the first night."

Silence. Then: "The moon knew."

"Knew what?"

"That you'd say that eventually." He moved closer. "I've been waiting."


They made love on the hillside, the sheep grazing peacefully nearby, the moon washing everything silver.

"Ya Allah," Yasir breathed, inside her. "Nadia—"

"Don't stop. Don't ever stop."

He moved with shepherd's rhythm—steady, patient, attuned to every tremor. She came with the moon watching, her cries joining the bells and bleating.

"Beautiful," Yasir said afterward. "You're beautiful."

"Under moonlight, everyone is."

"No." He cupped her face. "You're beautiful because you finally let yourself be seen."


"Stay," he said as dawn threatened. "Not for the documentary. For this."

"I have a life in Ramallah—"

"You have an apartment in Ramallah. This is a life." He kissed her forehead. "Sheep, stars, someone who sees you. What more do you need?"

"I don't know."

"That's the point. Stay until you do."

Nadia looked at the fading moon, at the man who'd shown her how to feel again.

"Na'am," she said. "But I'm finishing the documentary. The world should see this."

"See what?"

"That there's still beauty. That survival can look like peace."

His smile was brighter than any moon.

"Deal. Now help me get the sheep home. The sun's coming."

And it was—painting the sky in colors no camera could capture, blessing what the night had begun.

End Transmission