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TRANSMISSION_ID: THE_NIGHT_BUS_CONFESSION
STATUS: DECRYPTED

The Night Bus Confession

by Zahra Osman|7 min read|
"He takes the N29 every night from his shift at the hospital. She gets on at Wood Green, same time, same seat. Three months of silent bus rides until the night he finally speaks—and she finally breaks."

The N29 is not romantic.

It's 2 AM. The bus smells like stale chips and desperation. Half the passengers are drunk. The other half are exhausted night workers, too tired to care.

I'm in the second category.

Junior doctor at Whittington Hospital. Thirty hours on, eight hours off, then back again. I take the night bus because I'm too tired to walk and too broke for Uber.

And because of her.


She gets on at Wood Green every night.

Same time. Same seat—three rows behind me, by the window. She wears scrubs like me, though a different color. Nurse, maybe. Or care worker. I've never asked.

I've never said a word.

But I watch her in the reflection of the bus window. The way she leans her head against the glass. The way she pulls out a book but never reads it. The way she looks at her phone like she's hoping for a message that never comes.

Three months of this.

Three months of silent rides through North London.

Tonight, something changes.


She's crying.

Not loud. Not dramatic. Just silent tears tracking down her cheeks, quickly wiped away like she's embarrassed to feel anything in public.

I should mind my own business.

I get up and move to her row instead.

"Are you okay?"

She looks up, startled. Eyes red. Cheeks wet. Hijab slightly askew from rubbing her face.

"I'm fine."

"You're not."

"Are you a doctor or something?"

"Yes, actually."

That startles a laugh out of her. "Of course you are." She wipes her eyes again. "I'm Ikram. And I'm having a terrible night."

"Hassan." I sit down properly. "Tell me about it."


Her grandmother died.

Two hours ago, in the care home where Ikram works nights. She was the old woman's primary nurse for three years—stayed late, came early, treated her like family because the real family never visited.

"She called me habaryar at the end," Ikram says. "Thought I was her sister. Her sister died forty years ago."

"That happens. The mind reaches for comfort."

"I know. I've seen it a hundred times." She looks out the window. "This time it broke me."

"That's allowed."

"Is it?" She turns to face me. "I'm supposed to be professional. Not get attached. Not cry on night buses in front of strangers."

"We're not strangers."

"We've never spoken."

"But I've seen you." I hold her gaze. "Every night for three months. I've seen you read the same pages over and over because you're too tired to concentrate. I've seen you smile at your phone and then put it away disappointed. I've seen you fall asleep and miss your stop, then pretend you didn't."

She stares at me. "You've been watching me?"

"Looking. There's a difference."

"Is there?"

"Looking is hoping you'll look back." I take a breath. "I've been hoping for three months."


The bus reaches my stop.

I don't get off.

Neither does she.

We ride to the end of the line—Trafalgar Square, empty at 3 AM—and then back north again. Talking. Learning. Finding the words we've both been saving.

She's twenty-seven. Born in Bristol, moved to London for work. No family here. No friends, really—just colleagues and patients and the loneliness that comes from working when everyone else sleeps.

"I thought I was invisible," she says as we pass Wood Green for the second time. "I thought no one saw me."

"I saw you."

"Why didn't you say anything?"

"Fear." I laugh at myself. "I save lives for a living, and I was afraid to talk to a woman on a bus."

"That's pathetic."

"I know."

She smiles—the first real smile I've seen from her. "I'm glad you finally got brave."


We get off at her stop.

Hornsey. A quiet street with Victorian houses turned into flats. She lives in one of them—top floor, she says, with a view of nothing but other rooftops.

"Tea?" she offers.

"It's 4 AM."

"I'm not going to sleep anyway." She looks at me. "Are you?"

I follow her inside.


Her flat is small and warm.

Plants on every surface. Quran on a shelf. Photos of people who must be family, all the way in Bristol.

She makes tea. We sit on her couch. And somewhere between the Earl Grey and the sunrise, she leans her head on my shoulder.

"I'm tired," she says.

"I know."

"No, I mean—tired of being alone. Tired of night shifts and empty flats and pretending I don't want someone to come home to."

"I know that too."

"Do you want someone?"

"I want you." The words come easier now. "I've wanted you since the first night you got on that bus and looked out the window like you were searching for something you'd lost."

"What did I lose?"

"I don't know. But I'd like to help you find it."

She kisses me.


It's soft at first.

Tentative. The kiss of two people who've wanted this so long they almost don't believe it's happening. But then she makes a sound—a small, desperate sound—and suddenly we're not tentative anymore.

"Hassan—"

"Tell me to stop—"

"Don't you dare."

She pulls me down. Onto the couch. Onto her. Her scrubs come off easily—she's not wearing anything underneath, too tired to bother, and the sight of her body makes me forget every hour I've worked.

"PleaseI need—"

I give her what she needs.


I taste her on her couch while the sun rises outside.

Three months of watching her, wanting her, imagining this exact moment—and the reality is better. She's responsive and desperate, pushing against my mouth, crying out things that might be my name.

"Yesthereoh God—"

She comes with the sunrise.

Pink light filling the room as she shakes and moans and pulls my hair hard enough to hurt.

"Inside meplease—"

I crawl up her body. Position myself. Push in.


She feels like all the rest I've been missing.

Tight, wet, her walls gripping me as I fill her. Her eyes flutter closed and she sighs—not passion, not desperation, just relief. Like she's been holding her breath for years and finally remembered how to exhale.

"Don't stop—"

"Never."

I move inside her. Slow. Tender. This isn't fucking—this is something else. Something that started three months ago on a night bus and is only now finding its shape.

"I want—"

"What do you want?"

"Everything." She opens her eyes, looks at me. "I want everything with you."

"Then take it."

She comes again.

Pulls me with her this time, her body milking mine, both of us falling into something neither of us expected to find.


We sleep.

Tangled on her couch, too exhausted to move to the bed. When I wake up, the sun is high and she's making tea again.

"I have to work tonight," she says.

"Me too."

"Will you take the N29?"

"Every night."

"And will you sit with me this time?"

"Every night." I take the tea she offers. "For as long as you want."

"That might be a long time."

"I'm hoping so."


Three months later, we move in together.

Same flat in Hornsey, but now it's ours. Her plants. My books. Our photographs going up on the walls alongside her family in Bristol.

"Remember when we didn't talk?" she asks one night, after a double shift, after the N29, after collapsing into bed together.

"I was an idiot."

"You were scared."

"Same thing."

"No." She curls against me. "Scared means you cared. You just needed a push."

"What kind of push?"

"A grandmother dying." She's quiet for a moment. "Fatima would have liked you. She always said I needed to find someone who saw me."

"I saw you."

"I know." She kisses my chest. "That's why I love you."

"I love you too."

The words are easy now.

Everything is easier now.

Night shifts and exhaustion and all the hardship of two people trying to build a life—it's all easier when you have someone who sees you.

When you have someone to ride home with on the N29.

End Transmission