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TRANSMISSION_ID: SOUTHEND_PIER
STATUS: DECRYPTED

Southend Pier

by Anastasia Chrome|4 min read|
"At the end of the world's longest pleasure pier, fish and chip shop owner Rita finds romance with a London banker seeking escape from his empty life."

The pier stretched over a mile into the Thames Estuary, and my shop sat at the very end—the last stop before the sea took over. I'd been frying fish and chips here for twenty-five years, watching the city people come and go, always returning to London.

"You're still open?"

It was nine PM on a Tuesday, rain hammering the windows. The man in my doorway was soaked through, wearing a suit that probably cost more than my monthly earnings.

"I'm always open. Sit down. You look half-drowned."

He sat. I brought him tea without asking and started heating oil. By the time his chips were golden, he'd told me more than most customers did in a year.

"I just walked out of a meeting that would have made me partner." He was staring at the rain. "Walked to Liverpool Street, got on the first train that wasn't going home, and ended up here."

"And how's that working out for you?"

"I'm eating chips at the end of a pier with a woman I've never met." He smiled—tired but genuine. "Best decision I've made in years."

"I'm Rita."

"Marcus."

"Well, Marcus, eat your chips before they go cold. Whatever you're running from will still be there when you're ready."

He ate. He stayed. We talked until closing, then past it, until the last train had gone and the only option was the fold-out bed I kept for nights when the weather turned bad.

"I couldn't impose—"

"You couldn't walk back in this weather. And the hotels are closed for season." I handed him blankets. "Besides, it's just sleeping. Nothing improper."

But something had shifted. We lay in the dark listening to waves and wind, and the words kept coming—his empty flat in Canary Wharf, my empty nest since the kids had grown, the particular loneliness of people surrounded by other people but never connected.

"Can I ask you something strange?" His voice came from the darkness.

"At this point, anything."

"When did you last feel alive? Really alive, not just functioning?"

"I feel alive every morning when I open this shop. When the first customers come in looking miserable and leave looking human. When I see the sun set over the water and know I chose this life, every single day."

"That's beautiful."

"It's ordinary. But ordinary's not nothing." I turned toward where his voice was. "When did you last feel alive?"

"Walking through that door tonight. Seeing you standing there like the pier was a destination, not an escape route."

He kissed me in the darkness. Tentative, questioning, giving me space to pull back. I didn't pull back. I pulled him closer, both of us finding warmth against the cold outside.

"This is mad," he said between kisses.

"This is Southend. We're the last shop before the sea. Nothing here has to make sense."

We made love while the storm raged, two strangers who'd stopped being strangers somewhere between the tea and the chips. His body against mine was City-soft but eager to learn, and I taught him the way I taught everything—with patience and pleasure in the process.

"There," I gasped when he found the rhythm. "Just like that. Don't think. Just feel."

He felt. We both felt—releasing months of loneliness into each other, finding connection at the end of a pier that had seen a century of people seeking something they couldn't name.

"Stay," I said afterward.

"For the night?"

"For however long you need." I traced patterns on his chest. "The pier's taught me something in twenty-five years—people come here looking. Most of them don't find. You looked like you might."

He stayed the night. Then the week. Then quit the partnership track and started helping with the shop because, he said, watching people's faces change when they ate good chips was better than any deal he'd ever closed.

We're still here—at the end of the world's longest pleasure pier, serving fish and chips to whoever finds their way down. The City suit's long gone, replaced by something that handles better around fryers. And every night, we close up and watch the lights of the estuary, together at the last stop before the sea.

Some people find love in obvious places. Some find it in the rain, soaking wet, looking for something they couldn't name. The pier's seen it all. And now it's seen us—a banker who walked away and a chip shop owner who stayed, building something real at the place where the land runs out.

End Transmission